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Larry Laughlin

I am not clinically obsessive compulsive (I don't wash my hands 100 times a day). I do have those tendencies in my personality. I am obsessive compulsive about clay, throwing and firing. Another personality flaw that plays heavily into my art is stubbornness, with both positive and negative effect. I do understand that I need to learn when to be stubborn or not. It is a struggle.

Accessibility is an important aspect of my work, in two different ways. A form I make defines a space that is as important as the form itself, and I have a need for it to be accessible in some way. A reason I make functional objects (although they approach non-functional in scale, texture, and the scale of their apertures) is that they invite people to touch, tip, pickup and interact with them in an intimate way.

The way that I work the surface of my forms is reactive and intuitive. I build up layers of slip, washes, and glazes in patterns and rhythms to attempt to develop a sense of depth. Each layer does have a personal significance to me.

The process of my work is a reaction to my environment. I am influenced by my teachers, past and present, people around me, my life experience, music, textiles, etc.

 
Blowup

Resident Artists

Residencies

Jean Griffith Fellowship

Crossing Over the Bridge

Pottery Northwest
226 First Avenue North
Seattle, WA 98109
206-285-4421
info@potterynorthwest.org